{"id":4645,"date":"2021-07-20T15:54:27","date_gmt":"2021-07-20T13:54:27","guid":{"rendered":"https:\/\/dhalmann.fr\/music\/product\/trois-silences-dechires-in-memoriam-pavel-haas-bruno-giner\/"},"modified":"2026-04-02T15:56:40","modified_gmt":"2026-04-02T13:56:40","slug":"trois-silences-dechires-in-memoriam-pavel-haas-giner-bruno","status":"publish","type":"product","link":"https:\/\/dhalmann.fr\/music\/en\/produit\/trois-silences-dechires-in-memoriam-pavel-haas-giner-bruno\/","title":{"rendered":"Trois silences d\u00e9chir\u00e9s (in memoriam Pavel Haas) – Bruno Giner"},"content":{"rendered":"

Trois silences d\u00e9chir\u00e9s (in memoriam Pavel Haas) – Bruno Giner<\/a><\/h2>\n

Sheet music for solo oboe<\/h3>\n
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Two years before his deportation to the Theresienstadt<\/strong>ghetto-camp (December 2, 1941), the Czech composer Pavel Haas<\/strong> wrote one of his most beautiful works of chamber music: the Suite for oboe and piano opus 12<\/strong><\/em>, the starting point of Three Broken Silences (in Memoriam Pavel Haas)<\/strong><\/p>\n

In addition to the similarity of construction in three movements, the entire material of this work is derived from some of the melodic or harmonic formulas of the Suite, to which is sometimes added a musical encryption based on the letters of its name, i.e. si-la-la-mib (H.A.A.S) or si-la-lab (H.A.AS)<\/p>\n

The third Silence is directly inspired by the Hussite chorale Kto\u017e js\u00fa bo\u017ei bojovn\u00edci<\/strong>, which permeates Haas’s<\/strong> piece in several places, notably in the last part of its second movement.<\/p>\n