{"id":10754,"date":"2024-07-08T15:31:10","date_gmt":"2024-07-08T13:31:10","guid":{"rendered":"https:\/\/dhalmann.fr\/music\/?post_type=product&p=10754"},"modified":"2025-09-02T10:17:49","modified_gmt":"2025-09-02T08:17:49","slug":"sol-y-tierra-bruno-giner","status":"publish","type":"product","link":"https:\/\/dhalmann.fr\/music\/produit\/sol-y-tierra-bruno-giner\/","title":{"rendered":"Sol y Tierra – Bruno Giner"},"content":{"rendered":"

Sol y Tierra – Bruno Giner<\/a><\/h2>\n

Pour violoncelle seul.<\/p>\n

Partition disponible au format imprim\u00e9 ou en t\u00e9l\u00e9chargement.<\/p>\n

Extrait audio<\/p>\nhttps:\/\/dhalmann.fr\/music\/wp-content\/uploads\/2024\/07\/sol-y-tierra-extrait.mp3<\/a><\/audio>\n

Le sous-texte de cette \u0153uvre est la rencontre de deux itin\u00e9raires d\u2019exil cons\u00e9cutifs \u00e0 la guerre d\u2019Espagne\u00a0: le violoncelliste catalan Pau Casals et mon grand-p\u00e8re, le peintre valencien Balbino Giner Garc\u00eda. Ils se sont rencontr\u00e9s au d\u00e9but des ann\u00e9es 1950 pendant leur exil en terre roussillonnaise. Tr\u00e8s amicalement, Casals a demand\u00e9 \u00e0 mon grand-p\u00e8re de \u00ab\u00a0chroniquer\u00a0\u00bb picturalement le premier festival de Prades (juin 1950) qui allait voir le jour. Le r\u00e9sultat fut une s\u00e9rie de 150 portraits, de Casals bien s\u00fbr, mais aussi de la plupart des musiciens ayant particip\u00e9 \u00e0 cette premi\u00e8re \u00e9dition.<\/p>\n

Chacun sait que Casals a magistralement ouvert ce premier festival le 2 juin 1950 en l\u2019Eglise Saint Pierre de Prades en interpr\u00e9tant la Suite n\u00b0 1<\/em> de Jean-S\u00e9bastien Bach, celle en en sol<\/em> majeur. Or, par polys\u00e9mie, sol<\/em> peut signifier terre<\/em> en fran\u00e7ais mais aussi soleil<\/em> en espagnol. Aussi ai-je contract\u00e9 les deux sens\u00a0: Sol y Tierra<\/em>. Le r\u00eave d\u2019une terre perdue puis celle, adoptive, de l\u2019exil. La polys\u00e9mie fonctionne \u00e9galement dans les deux langues\u00a0: espagnol = Sol y Tierra\u00a0; fran\u00e7ais = solitaire (Sol y Terre).<\/p>\n

Musicalement \u2013 la symbolique est assez claire \u2013 Sol y Tierra<\/em> expose une longue m\u00e9lodie, bris\u00e9e en plusieurs endroits mais capable de rena\u00eetre apr\u00e8s chaque cassure, jusqu\u2019\u00e0 finalement s\u2019\u00e9panouir et grimper jusque vers les sommets l\u2019instrument, encore et encore.<\/p>\n

Ce jeu symbolique et polys\u00e9mique se retrouve \u00e9galement dans certains \u00ab\u00a0codages\u00a0\u00bb de quelques notes de la partition. En effet l\u2019\u0153uvre d\u00e9bute par un Sol<\/em> (tonalit\u00e9 ensoleill\u00e9e de la Suite n\u00b0 1<\/em> de Bach) mais c\u2019est aussi l\u2019initiale du nom de famille de mon grand-p\u00e8re (G pour Giner en notation anglo-saxonne = sol<\/em>) et donc du mien par la m\u00eame occasion. Quelques do<\/em> graves insistants et la partie bariol\u00e9e dans la zone du do<\/em> correspondent quant \u00e0 eux au C de Casals (C = do<\/em> en en notation anglo-saxonne). Coquetterie finale, la pi\u00e8ce termine sur un sib <\/em>(initiale de mon pr\u00e9nom \u2013 B \u2013 en notation anglo-saxonne, mais aussi celle du pr\u00e9nom de mon grand-p\u00e8re), une mani\u00e8re comme une autre d\u2019assumer cet h\u00e9ritage d\u2019exil, tant familial que musical.<\/p>\n

L\u2019histoire de la rencontre entre Pau Casals et Balbino Giner Garc\u00eda a fait l\u2019objet d\u2019une nouvelle intitul\u00e9e Le crin et le fusain<\/em><\/a>, \u00e9crite en 2012, \u00e9ditions Istesso Tempo et disponible aux \u00e9ditions Fran\u00e7ois Dhalmann.<\/p>\n

Bruno Giner<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Sol y Tierra – Bruno Giner<\/a><\/h2>\n

Pour violoncelle seul.<\/p>\n

Partition disponible au format imprim\u00e9 ou en t\u00e9l\u00e9chargement.<\/p>\n","protected":false},"featured_media":10759,"template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0"},"product_brand":[610],"product_cat":[36,176,153],"product_tag":[],"class_list":{"0":"post-10754","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_brand-editions-francois-dhalmann","7":"product_cat-giner-bruno","8":"product_cat-solo","9":"product_cat-violoncelle","10":"pa_difficulte-difficile","12":"entry","13":"has-media","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-variable","21":"add-to-wishlist-before_image","22":"has-product-nav","23":"col","24":"span_1_of_4","25":"owp-content-center","26":"owp-thumbs-layout-horizontal","27":"owp-btn-normal","28":"owp-tabs-layout-horizontal"},"yoast_head":"\nSol y Tierra - Bruno Giner - Editions Fran\u00e7ois Dhalmann<\/title>\n<meta name=\"description\" content=\"Partition pour violoncelle seul. 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