Bonsaï da camera – Eric Fischer

The first and second movements are very easy. The third movement is a little more difficult with double strings (always with an open string on both).

The three movements are parentheses in three states that seem to be already there and that obviously continue when the music stops.

It is like a shutter that opens and closes subreptitiously, letting us ‘listen in’ to some intimate snippets that were perhaps forbidden to us.

Collection ” Carnets du 21e siècle “, directed by Bruno Giner.